Jumat, 08 November 2013

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All God's Children Need Traveling Shoes, by Maya Angelou

In 1962 the poet, musician, and performer Maya Angelou claimed another piece of her identity by moving to Ghana, joining a community of "Revolutionist Returnees" inspired by the promise of pan-Africanism. All God's Children Need Walking Shoes is her lyrical and acutely perceptive exploration of what it means to be an African American on the mother continent, where color no longer matters but where American-ness keeps asserting itself in ways both puzzling and heartbreaking. As it builds on the personal narrative of I Know Why the Caged Bird Sings and Gather Together in My Name, this book confirms Maya Angelou’s stature as one of the most gifted autobiographers of our time.

  • Sales Rank: #75831 in Books
  • Brand: Angelou, Maya
  • Published on: 1991-06-04
  • Released on: 1991-06-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .59" w x 5.16" l, .52 pounds
  • Binding: Paperback
  • 224 pages
Features
  • All God's Children Need Traveling Shoes by Maya Angelou
  • Maya Angelou
  • African Americans
  • Reflective Writing
  • Lyrical, acutely perceptive writing

From Publishers Weekly
To read Angelou's book, the latest in a series of autobiographical works begun with I Know Why the Caged Bird Sings, without being moved would seem impossible. Here, this American poet, actress, civil rights activist and TV producer-director recalls her pilgrimage to Ghana in the early 1960s. Ostensibly, Angelou went there so that her son could study at the University of Ghanato put him (and herself) in touch with long-imagined ancestral roots. Sadly, she was disillusioned by the subtle rejection of native Ghanaians. Fighting this painful sense of not belonging, she plunged into activities; appearing in Genet's play The Blacks with black American performers, she went briefly to Berlin, where she underwent a searing experience dining in the home of a wealthy crypto-Nazi German. Other encounters, even the more pleasurable ones, hardly mitigate the homesickness and hurt underlying Angelou's poignant recall, which includes a meeting with Malcolm X and her visit to a village where, centuries ago, black men sold other black men, women and children to white slave traders. First serial to Essence.
Copyright 1986 Reed Business Information, Inc.

From School Library Journal
YA Angelou continues the candid chronicle of her life in this fifth volume of her autobiography which began with I Know Why the Caged Bird Sings (Random, 1970). In the early '60s, Angelou worked at the university in Ghana and became involved with the community of Africans and black Americans. Students of African history will find a wealth of information and penetrating impressions of the proud, optimistic new country. Students of American history will learn first-hand of the opinions and feelings of black Americans who, living through the racial crisis of the '60s, came to Africa in search of their historical, spiritual and psychological home. Maya's own journey is at the center of the narrative, however, and readers will appreciate the candor with which she relates her conflicts with some Ghanaians; her romance with an African Muslim; her trip to Germany, where she joins an American acting troupe and confronts her own prejudices; and her struggle to accept her son's manly independence. As in her previous memoirs, the poet's prose sings. Jackie Gropman, Fairfax County Public Library, Va.
Copyright 1986 Reed Business Information, Inc.

From Library Journal
The fifth volume of her compelling autobiography finds Angelou in Ghana, five years after its independence from Britain. Kwame Nkrumah is Ghana's beloved ruler, and there is a sense of pride in the new country. Angelou joins a group of black Americans who have come to Ghana to be part of the great experiment. The book details her experiences within that community and as a black American confronting complex feelings in Africa, the land from which her ancestors were sold into slaverypossibly by other tribes. Angelou also writes of her emotions as a mother watching her son Guy grow to manhood. Angelou's insight and honesty about herself, and the light she sheds on emerging Africa and the American black community, make for absorbing reading. Janet Boyarin Blundell, M . L . S . , Brookdale Community Coll., Lincroft, N.J.
Copyright 1986 Reed Business Information, Inc.

Most helpful customer reviews

31 of 34 people found the following review helpful.
African/African-American encounters
By Michael J. Mazza
"All God's Children Need Traveling Shoes" is an effective continuation of Maya Angelou's monumental, multi-volume autobiographical narrative. This installment begins in the early 1960s, with Maya and her son living in Africa. As a whole, this book is a fascinating meditation on the ties and disjunctions that exist between African-Americans and black Africans.
Maya reminisces about working for the University of Ghana, seeking employment as a journalist at the "Ghanaian Times," and beginning to pick up the Fanti language of Ghana. Particularly fascinating are her memories of the death of W.E.B. DuBois, the visit of Malcolm X to Africa, and her visit to Germany to perform in a production of Jean Genet's play "The Blacks." Angelou's book is both the vibrant record of an extraordinary woman, and an important portrait of Africa at a key era in its modern history.

15 of 16 people found the following review helpful.
Through Angelou's Eyes
By WILLIAM H FULLER
From purely a literary standpoint, I find ALL GOD'S CHILDREN NEED TRAVELING SHOES perhaps the best of Angelou's series of autobiographical works that I have encountered thus far. It is the fifth "installment," having been preceded by I KNOW WHY THE CAGED BIRD SINGS, GATHER TOGETHER IN MY NAME, SINGIN' AND SWINGIN' AND GETTIN' MERRY LIKE CHRISTMAS, and THE HEART OF A WOMAN. While I suppose that any of these could be read in isolation, to do so would be analogous to reading a single chapter from a full-length novel. One may enjoy the contents of that single chapter but will miss all the background material that explains how the characters reached that point in time and space as well as everything that follows to explain and wrap-up the story. For the same reasons, one really should read each of Angelou's books and in chronological order, too. Consequently, if one is examining reader reviews before purchasing ALL GOD'S CHILDREN, and if this is the first of Angelou's books being considered, please wait. Reading the others first will enhance significantly the reader's enjoyment of this one.

Pure autobiographies tend, in my experience, to be rather dull reading for the most part. Where is the excitement in a list of events and dates? That sort of dry recitation of historical facts is the reason that most of us were likely bored to somnambulance by our high school history textbooks. Happily, this is not at all that sort of autobiography. What one finds in Angelou's books is the world seen through her eyes and interpreted by her mind, and she carries with her the filters built strand by strand by her life experiences.

What "life experiences"? Being born Black into a legally, socially, culturally and thoroughly segregated country. Being abandoned by one's father. Being shipped across country by one's mother to be raised by an aging grandparent. Feeling the constant scorn and belittlement fostered by racial segregation. Bearing a child when one is still herself a child. Being duped by another into prostitution. Failing at an attempt at marriage. On the other hand, conversing with such figures as Martin Luther King and Malcolm X. Touring Europe as member of a musical cast. Living in Africa. Angelou's experiences, both negative and positive, were emotionally extreme, or at least significant, events, and they created interpretative filters that are quite different from those of essentially all of her readers. This difference is what makes her books captivating to read and worthy of her readers' consideration.

I suggest that the epitome of Angelou's skill as a prose author of the first five books I have mentioned above comes in the closing chapter of ALL GOD'S CHILDREN. Her encounter with the Ewe tribal women in the marketplace in Ghana's village of Keta is expressed in nearly supernatural terms. In the actual event, she is merely mistaken for another person, but, to Angelou, the encounter firmly establishes Africa as her spiritual homeland, the origin of her own ancestors who, generations earlier, were sold into slavery in a strange land across the ocean. The skill with which she describes her feelings at this encounter is one to which any writer might aspire.

I must admit to another aspect of Angelou's writing that I find almost annoying, however, and that is her repeated and continuous reference to the effects of slavery. If any evil exists in the universe, if sin seeks an embodiment, if a cause for all the misery in the contemporary world must be identified, Angelou finds it in slavery. Judging solely by the attitude revealed in these five books, one could conclude only that all Caucasians are blue-eyed devils, that they alone made possible the eternal and unforgivable sin of enslavement, that no redemption is possible and that racial integration is never achievable or even desirable. If there is such a concept as "original sin," it has nothing to do with a mythological Adam or Eve in a "garden of Eden" but rather with the insufferable conceit of Whites and the horror of slavery, most particularly slavery in the United States. To judge by the attitude that pervades these five books, one would think that Angelou was herself born into slavery, exploited economically and sexually by her White masters, and denigrated to the very edge of sanity. Not to excuse or to minimize in any way the physical and emotional pain of slavery, its immorality or absence of any ethical justification whatsoever, but "methinks the lady doth protest too much." She claims for herself an understanding of the debasement of slavery that her own history does not support. She assumes a mantle as spokesperson for long dead generations that she is not qualified to wear. To what extent historical slavery and racial prejudice may bear the blame for what were her own poor choices in life I am hardly qualified to say, yet I would caution the reader to bear in mind the fact that we are seeing events through the author's intellectual filters and that no one's filters are totally objective.

Having said that, I hurriedly add that my critical observation should in no way deter anyone from reading Angelou's books. On the contrary, while I may feel that she is at times presumptuous in assuming spokesperson status on the topics of slavery and contemporary racial bigotry, her perceptions provide many revelations for her readers and are worth noting. On now to the next book of this series, A SONG FLUNG UP TO HEAVEN.

11 of 11 people found the following review helpful.
Fascinating insights about Maya Angelou and Afro-Americans
By A Customer
In 1962, Maya Angelou went to Ghana with her 17-year son. "All God's Children Need Travelling Shoes" tells the story of her personal journey to understand herself as a black American. This book provides fascinating insights about Maya Angelou in her early years and about Afro-American culture in general. In rich language, she provides both historical snapshots and compelling stories about Ghana's gentle people, herself, and the diaspora that brought black people to America.

See all 74 customer reviews...

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Kamis, 07 November 2013

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  • Sales Rank: #9199860 in Books
  • Published on: 2013-06-25
  • Binding: Paperback

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3 of 3 people found the following review helpful.
Educational a must buy and read!!!!!!!!!!!!!!!
By mario cordova
This book is helpful and educational in so many ways! For those who didn't know TOEFL stands for Test of English as a Foreign Language and IELTS stands for International English Language Testing System. This book taught me that various English-language tests like TOEFL and IEFLTS give aspirants a chance to demonstrate their proficiency in the language. I also learned from reading this book that English-language skills are also part of the requirements of immigration and residences in many countries i was never aware of that. I give you my word that when you purchase this book it offers you knowledge that will prepare you to excel in this world and achieve true success and happiness. Thank you and god bless.

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toefl and ielts made easy
By reviews-by-alex
English is the most widely used language in this world. Most countries especially in Asian territories demand the basic knowledge of the English language even though English would not be even used in their work place. Foreign students who fiercely compete to enter universities in the US also must score high in toefl exams to even be considered an entry position. Toelf is what I took to test my basic speaking, listening, and writing abilities through a multiple choice computer exam. This book covers the basics of taking such exams and actually passing with high scored even though your native language may not be English. In this day and age, with the technology of cell phones, perhaps studying a second language or a computer test such as the toefl is that much easier.

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I want to take a TOEFL and IELTS examination this year, but I am really nervous. I know that my English skill is on the acceptable range, but I know that I still need to improve it to be able to compete in my field. I want to pass TOEFL and IELTS because I want to create my own ESL Company, and as someone who already have experience in teaching, this is really my dream. I gave five stars for this book since it offers practical tips on how to prepare for TOEFL and IELTS. It also explains the parts of the exam and the difference between the two.

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  • Binding: Hardcover

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Pipe Fitter's Math Guide, by Johnny E. Hamilton

For those who work with cylinders, a geometric understanding of the shapes involved and how they fit together are crucial for excellence in their trade. This book allows pipe fitters to connect their work to its logical base—math. The straightforward tone, multitude of illustrations, and example problems will help even those with underdeveloped math skills learn the calculations. Forty-one sets of exercises with answers give the reader ample practice as well as applying the math skills.

  • Sales Rank: #232443 in Books
  • Brand: Hamilton, Johnny E.
  • Published on: 1989-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .40" w x 8.50" l, 1.02 pounds
  • Binding: Paperback
  • 160 pages

Review
“A must for the library of any school or college that has a shop mathematics program or is involved in pipe fitters.”  —Mathematics Teacher

“Shows that real people, even those who wear blue collars, need real math.”  —Mathematics and Computer Education

About the Author
Johnny E. Hamilton is a pipe fitter and the coauthor of Math to Build On. He lives in Clinton, North Carolina.

Most helpful customer reviews

5 of 5 people found the following review helpful.
the best book for pipefitters.
By Reinaldo A.
I bought some pipefitter books before,but this is something special.it is the book that every apprentice should start with.this is what i was looking for.perfect,thanks.

1 of 1 people found the following review helpful.
Five Stars
By Martinmike
Extremely valuable for preparing for the NCCER pipe fitters test. I would definetly recomend this book.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Just what I needed

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Rabu, 30 Oktober 2013

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  • Sales Rank: #15415120 in Books
  • Published on: 1994
  • Binding: Hardcover

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-- Film Quarterly

  • Sales Rank: #664847 in Books
  • Published on: 1985-04-15
  • Released on: 1985-09-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.08" w x 5.75" l, 1.37 pounds
  • Binding: Paperback
  • 462 pages

Review

An extremely useful and wide-ranging collection of essays devoted to a topic often ignored or taken for granted by visually-dominated studies of the moving picture...

(Gerald Mast, University of Chicago)

Both comprehensive in its choice of readings and creative in its editorial approach... Film Sound, as well as being an eminent introduction to the writings in the field, forcefully demonstrates the need for the study of the media to be both textually and institutionally grounded, and both theoretically and historically informed.

(Richard Allen Framework)

Indispensable... [a] superb collection of essays.... An important contribution to our literature on film theory and practice and... necessary reading for anyone interested in the art and the practice of filmmaking.

(Journal of Popular Film and Television)

Film Sound is a pleasure to read. In addition, the book's general organization and range of selections present an accurate summary of the development of film sound and attitudes toward it from the late twenties to the eighties. For anyone interested in finding ways out of the present theoretical confusion, Film Sound is an excellent place to start.

(Film Quarterly)

Convincingly suggests that an exciting new field has been opened up, one that may well come to determine the way we look at the cinema as a whole.... [Film Sound] pays attention to the new technologies as they affect not only the cinema but also how we come to view its history.

(Sight and Sound)

From the Back Cover
The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected film historians, aestheticians, and theorists of the past sixty years.

About the Author

Elisabeth Weis is professor of film at Brooklyn College and the Graduate Center of the City University of New York and executive director of the National Society of Film Critics. She has written or edited books on sound, comedy, and star acting. John Belton is professor of English and film at Rutgers University and the author of five books, including Widescreen Cinema, winner of the Kraszna-Krausz prize for books on the moving image, and American Cinema/American Culture, a textbook accompanying the PBS series American Cinema. He has also edited three books, including Alfred Hitchcock's Rear Window, and is associate editor of the journal Film History.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Ear-opening
By T. Nicholas
I got this book because after 4 years of film school, I still felt as if I had been shortchanged when it came to learning sound design. I had been taught how to record and edit sound, been taught how to do ADR, been taught all the different types of microphones; but I still didn't know WHY to use one type of microphone over another, WHY using an omnidirectional, or a shotgun, or a lavalier mic would change the feel of a scene (and how this would in turn change depending on whether that sound was being matched with a closeup or a long shot). In short, I was never taught the aesthetic significance behind any of the options I was presented with. My formal education on the topic had been entirely technical. As the editors make clear in the preface to this anthology, it was their attempt to compile a book "addressed to aestheticians rather than technicians." At this they've done an incredible job.

The scope is broad - covering theory, practice, history, as well as the technological side - different essays focusing on individual films, directors, genres, historical periods or the medium as a whole. The viewpoints of the authors are also as diverse as anything you'll find in film studies generally, ranging from Marxist, formalist and psychoanalytic analysis to more straightforward historical or technical writing.

As a filmmaker, this book has been eye opening (or should I say ear opening?). For the first time I am finally able to think about sound design in the same way that I think about any other element of a film. Since starting to read the book, I've paid more attention to the sound design in all of the films I've watched.

This book was written in 1985. No doubt does this mean that innovations in the field since 1985 (most notably the dawn of digital editing and sound mixing) are left out from the book. But even so, if you are a filmmaker who is looking to gain some insight into what film sound is all about, this is an excellent place to start.

10 of 20 people found the following review helpful.
Table of Contents
By Curupira
Part I. History, Technology, and Aesthetics

Introduction
The Coming of Sound: Technological Change in the American Film Industry, by Douglas Gomery
Economic Struggle and Hollywood Imperialism: Europe Converts to Sound, by Douglas Gomery
Film Style and Technology in the Thirties: Sound, by Barry Salt
The Evolution of Sound Technology, by Rick Altman
Ideology and the Practice of Sound Editing and Mixing, by Mary Ann Doane
Technology and Aesthetics of Film Sound, by John Belton

Part II: Theory

Section 1: Classical Sound Theory
A Statement, by S. M. Eisenstein, V. I. Pudovkin, and G. V. Alexandrov
Asynchronism as a Principle of Sound Film, by V. I. Pudovkin
The Art of Sound, by René Clair
Manifesto: Dialogue on Sound, by Basil Wright and B. Vivian Braun
Sound in Films, by Alberto Cavalcanti
A New Laocoön: Artistic Composites and the Talking Film, by Rudolph Arnheim
Theory of Film: Sound, by Bela Balazs
Dialogue and Sound, by Siegfried Kracauer
Slow-Motion Sound, by Jean Epstein

Section 2: Modern Sound Theory
Notes on Sound, by Robert Bresson
Direct Sound: An Interview with, by Jean-Marie Straub and Danièle Huillet
Aural Objects, by Christian Metz
The Voice in the Cinema: The Articulation of Body and Space, by Mary Ann Doane

Part III: Practice

Section I: Practice and Methodology
Fundamental Aesthetics of Sound in the Cinema, by David Bordwell and Kristin Thompson
On the Structural Use of Sound, by Noël Burch

Section 2: Pioneers
The Movies Learn to Talk: Ernst Lubitsch, René Clair, and Rouben Mamoulian, by Arthur Knight
American Sound Films, 1926-1930,, by Ron Mottram
Applause: The Visual and Acoustic Landscape, by Lucy Fischer
Enthusiasm: From Kino-Eye to Radio Eye, by Lucy Fischer
Lang and Pabst: Paradigms for Early Sound Practice, by Noël Carroll
The Voice of Silence: Sound Style in John Stahl's Back Street, by Martin Rubin

Section 3: Stylists
Orson Welles' Use of Sound, by Penny Mintz
The Evolution of Hitchcock's Aural Style and Sound in The Birds, by Elisabeth Weis
The Sound Track of The Rules of the Game, by Michael Litle
Sound in Bresson's Mouchette, by Lindley Hanlon
Godard's Use of Sound, by Alan Williams
Section 4: Contemporary Innovators
Altman, Dolby, and the Second Sound Revolution, by Charles Schreger
Sound Mixing and Apocalypse Now: An Interview with Walter Murch, by Frank Paine
The Sound Designer, by Marc Mancini
Sound and Silence in Narrative and Nonnarrative Cinema, by Fred Camper

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[B716.Ebook] Fee Download Film Sound: Theory and PracticeFrom Columbia University Press Doc

[B716.Ebook] Fee Download Film Sound: Theory and PracticeFrom Columbia University Press Doc
[B716.Ebook] Fee Download Film Sound: Theory and PracticeFrom Columbia University Press Doc